9/17/2009

BERLIN NOTES (XIX)


Des enfants se risquent à regarder au-dessus du Mur de Berlin dans le quartier de Kreutzberg (1963)

West Berlin, May 1978: a city under siege yet open. [...] As with any siege, there must be fortifications, or at least a wall, and here this was built not by the besieged but by the besiegers, not so much to surround the other as in self-defense against the fascination exerted by the other, and to prevent defection from within its own ranks. In this sense, the Berlin Wall marked a singular advance in the 'de-construction' of the binary oppositions upon which our culture rests.

A wall: in truth, at least in its most recent form (1967), a mere barrier, a simple partition [...] that now seems absurdly miserable.

Recto/verso, obverse/reverse: the wall - like an écroché, like a ruin: the ruin that it was from the begining - had no readily identifiable wrong side. [...] The people on the other side, like the prisoner's in Plato's cave, perceived only an echo (in the distance, beyond the no-man's-land).

HUBERT DAMISCH 'Skyline. La ville Narcisse' (1996)

2/27/2009

BERLIN NOTES (XII)


Spielvogel 'Berlin Wall at Stresemannstrasse' (1985)

Imagining Nothingness is:

Pompeii – a city built with the absolute minimum of walls and roofs...
The Manhattan Grid – there a century before there was a “there” there...
Central Park – a void that provoked the cliffs that now define it...
The Guggenheim...
Hilberseimer's “Mid West” with its vast plains of zero-degree architecture...
The Berlin Wall...

They all reveal that emptiness in the metropolis is not empty, that each void can be used for programs whose insertion into the existing texture is a procustean effort leading to mutilation of both activity and texture.

REM KOOLHAAS 'Imagining Nothingness' (1985)